Wednesday, November 10, 2010

Biggie: Ready to Die

1. Intro:



2. Things Done Changed



3. Gimme the Loot



4. Machine Gun Funk



5. Warning



6. Ready to Die



7. One More Chance



8. Fuck Me



9. The What



10. Juicy



11. Everyday Struggle



12. Me and My Bitch



13. Big Poppa



14. Respect



15. Friend of Me



16. Unbelievable



17. Suicidal Thoughts



18. Who Shot Ya?



19. Just Playing (Dreams)

Tuesday, September 28, 2010

Last Poets- Niggers are Scared of Revolution

The Last Poets



Niggers are scared of revolution
But niggers shouldn't be scared of revolution
Because revolution is nothing but change
And all niggers do is change

Niggers come in from work and change into pimping clothes
and hit the streets to make some quick change

Niggers change their hair from black to red to blond
and hope like hell their looks will change

Nigger kill other niggers
Just because one didn't receive the correct change

Niggers change from men to women, from women to men
Niggers change, change, change

You hear niggers say
Things are changing? Things are changing?
Yeah, things are changing
Niggers change into 'Black' nigger things
Black nigger things that go through all kinds of changes
The change in the day that makes them rant and rave
Black Power! Black Power!
And the change that comes over them at night, as they sigh and moan:
White thighs, ooh, white thighs

Niggers always goin' through bullshit change
But when it comes for real change,
Niggers are scared of revolution

Niggers are actors, niggers are actors
Niggers act like they are in a hurry
to catch the first act of the 'Great White Hope'

Niggers try to act like Malcolm
And when the white man doesn't react
toward them like he did Malcolm
Niggers want to act violently

Niggers act so coooool and slick
causing white people to say:
What makes you niggers act like that?
Niggers act like you ain't never seen nobody act before
But when it comes to acting out revolution
Niggers say: 'I can't dig them actions!'
Niggers are scared of revolution

Niggers are very untogether people
Niggers talk about getting high and riding around in 'els'
Niggers should get high and ride to hell
Niggers talk about pimping
Pimping that, pimping what
Pimping yours, pimping mine
Just to be pimping, is a helluva line

Niggers are very untogether people
Niggers talk about the mind
Talk about: My mind is stronger than yours
"I got that bitch's mind uptight!"
Niggers don't know a damn thing about the mind
Or they'd be right
Niggers are scared of revolution

Niggers fuck. Niggers fuck, fuck, fuck
Niggers love the word fuck
They think it's so fuckin' cute
They fuck you around
The first thing they say when they're mad: 'Fuck it'
You play a little too much with them
They say 'Fuck you'
When it's time to TCB,
Niggers are somewhere fucking
Try to be nice to them, they fuck over you

Niggers don't realize while they doin' all this fucking
They're getting fucked around
And when they do realize it's too late
So niggers just get fucked up

Niggers talk about fucking
Fuckin' that, fuckin' this, fuckin' yours, fuckin' my sis
Not knowing what they're fucking for
They ain't fucking for love and appreciation
Just fucking to be fucking.

Niggers fuck white thighs, black thighs, yellow thighs, brown thighs
Niggers fuck ankles when they run out of thighs
Niggers fuck Sally, Linda, and Sue
And if you don't watch out
Niggers will fuck you!
Niggers would fuck 'Fuck' if it could be fucked
But when it comes to fucking for revolutionary causes
Niggers say 'Fuck revolution!'
Niggers are scared of revolution

Niggers are players, niggers are players, are players
Niggers play football, baseball and basketball
while the white man cuttin' off their balls

When the nigger's play ain't tight enough
to play with some black thighs,
Niggers play with white thighs
to see if they still have some play left
And when there ain't no white thighs to play with
Niggers play with themselves

Niggers tell you they're ready to be liberated
But when you say 'Let's go take our liberation'
Niggers reply: 'I was just playin'
Niggers are playing with revolution and losing
Niggers are scared of revolution

Niggers do a lot of shootin'
Niggers do a lot of shootin'

Niggers shoot off at the mouth
Niggers shoot pool, niggers shoot craps
Niggers cut around the corner and shoot down the street
Niggers shoot sharp glances at white women
Niggers shoot dope into their arm

Niggers shoot guns and rifles on New Year's Eve
A new year that is coming in
The white police will do more shooting at them
Where are niggers when the revolution needs some shots!?
Yeah, you know. Niggers are somewhere shootin' the shit
Niggers are scared of revolution

Niggers are lovers, niggers are lovers are lovers
Niggers love to see Clark Gable
make love to Marilyn Monroe
Niggers love to see Tarzan fuck all the natives
Niggers love to hear the Lone Ranger yell "Heigh Ho Silver!"

Niggers love commercials, niggers love commercials
Oh how niggers love commercials:
"You can take niggers out of the country, but
you can't take the country out of niggers"

Niggers are lovers, are lovers, are lovers
Niggers loved to hear Malcolm rap
But they didn't love Malcolm
Niggers love everything but themselves

But I'm a lover too, yes I'm a lover too
I love niggers, I love niggers, I love niggers

Because niggers are me
And I should only love that which is me
I love to see niggers go through changes
Love to see niggers act
Love to see niggers make them plays and shoot the shit

But there is one thing about niggers I do not love
Niggers are scared of revolution

Rap Songs and the word Nigga/Nigger

Mos Def



He under thirty years old
But already he's a pro
Designer trousers slung low
Because his pockets stay swoll'
Could afford to get up and be anywhere he go
VIP at the club, backstage at the show
(Yes y'all) the best crib, the best clothes
Hottest whips on the road
Neck and wrists on froze (say word)
Checks with O's o-o-o-o-ohs
Straight all across the globe
Watch got three time-zones
Keep a digital phone up to his dome
Two assistants
Two bank accounts, two homes
One problem
Even with the O's on his check
The po-po stop him and show no respect
"Is there a problem officer?"
Damn straight, it's called race
That motivate the jake (woo-woo) to give chase
Say they want you successful, but that ain't the case
You livin large, your skin is dark
They flash a light in your face

Now, who is cat dining out on the town
Me'tradie wanna take a whole year to sit him down
Mr Nigga, Nigga Nigga
He got the speakers in the trunk
With the bass on pump(?)
Now, who is the cat at Armani buying wears
With the tourists who be asking him, do you work here?
Mr Nigga, Nigga Nigga
Nigga Nigga

The Coup



(big bird)
Now I shall tell a story that’s filled with words
That start with the letter n

(dj pam cuts up fly lyrics from the bank of reality --> flavor flav)

[boots]
Step into the world of a nigger, figure
To stay a little while so pack your bag up bigger
First of all just let me introduce you seduce you
Into a frame of mind that’s easy to get used to
Nigger hasn’t always meant a man with melanin
It used to be a piece of wood that sat on the cotton gin
Masta put it there and it wouldn’t move, smooth
So what does it mean, to be a nigger with an attitude?
You tell me that a nigger’s crazy or lazy
Not about the skin so, don’t let it faze me
Well you amaze me, with that ignorant bizull-shizzit
Get a grip on the new fit
Cause that’s a lame frame of brain for the nineties
I know the game so it don’t sting, my mind sees
So what the fuck you wanna race for the trigger
I ain’t the one, I ain’t the nigga

Tuesday, September 21, 2010

Angela Kariotis- IN CLASS Sept 28th.

Angela Kariotis


Check out:
Reminiscence of the Ghetto and Other Things That Raized Me at UCLA

angela kaRIOTis
is a Greek-American, writer, performer, educator, and mother. As an extension of her activist work, Angela’s creative works provoke thought and entertain, while aimed at cultivating social change. Her high energy work encapsulates the legacy of social protest theater. Called a "lithe and vital writer-performer" by The N.J. Star-Ledger, Kariotis possesses the raw energy to light up a small city. The Chicago Reader notes "it’s her sly and engaging use of language that makes her work memorable" in what The Austin Chronicle writes as "dynamic performances that are serious and seriously funny".

an excerpt from the one-woman-play
Reminiscence of the Ghetto
& Other Things That Raized Me
Written & Performed
by Angela Kariotis © 2003
www.angelakaRIOTis.com


Segment I:
IntroDICshun
1 [numbers signify light cues]
TOP OF SHOW [AT STOOP USR] (SOUND: TRACK 1) (LIGHTS UP @ END of SOUND CUE)
Down neck, it was all about maxing on the porch. Everybody was like, “ain’t nuttin’ but a thang.”
[TRAVELING DR-DL]
Since living down neck in Irvington, New Jersey, I moved to the sssuburbs to a phat house wit’a deck! Maybe
it’s my Mama’s house, but as long as she gets to claim me as a dependant, I depend on that deck. So I don’t
hear the poetry there like I did here because no one there sits out front for me to hear, like here. No Cuban
girls shouting words of affection, say oye peachy, like hey baby, like Puerto
Rican girls speak’n spanglish n’ suck’n their teeth. Black girls were loud. Polish folk. Filipinos and Tagalog.
Italian boys call out the only curses they know in their grandmother’s language. And me chiming in with my
Greek-lish. Yeah, the suburbs might be movin’ on up, trying to get a piece of that pie. But I think. I think of
what I had to leave behind…
[TRAVELING CENTER-DR-DL]
I think/ I hear /a reminiscence in my ear
one-two-three
Ain’t nuttin’ like the sound of ghetto lingo in my ears
It’s been too too long
Since crunchy consonants collide racing for an ear
Finally sssimmering in the salt of an ear lobe flap
Beating it restless like the hang of flesh in the back of your throat during a holleerrr
Yyyo! Holla’ back…
Vvibrations of “ain’t nothin’ but a thang” jargon releasing rippling waves
Verbal swordplay and proclamations of “say word” and “my man”
piercingly pounce and penetrate cartilage
Causing hand slapping, fist bopping salutations from homeboy to homeboy
A mono-syllabic bowlegged stride “opps upside ya’ head, I said oops upside ya’ head”
blooopp into an eardrum
Drum / dra-da-drum / pa ra pum pum pum …
and play them ear drums with a r-r-right about now. But I’m saying though…
play them ear drums like timbales out on the sands of Puerto Rico, ho!
Dance/ Dance/ Dance to the rhythm in your ear
Play on player
Play on
Cuz when we was kids it was aight to “ax” an’not “ask”
Cuttin da’ ends of words and tossin I-N-G’s
A homegirl axin’ “what’chyou doin?”
And coming with da’ primo passtime
“Chillen”



Funky Four Plus One More

Funky 4 + 1

Jazzy Jeff and James Brown







King Tim III

King Tim III

Friday, September 17, 2010

1980/1990 Spoken Word Poet- Females

Ntozake Shange





Sandra Maria Esteves

1980/1990 Spoken Word Poet- Males

Some of the material is recent but these are poets that started out in the poetry scene in the 1980's.

Paul Beatty





Reg E. Gaines

my air jordans cost a hundred with tax
my suede starters jacket says raiders on the back
i'm stylin . . . smilin . . . lookin real mean cuz
it ain't about bein heard just bein seen

my leather adidas baseball cap
matches my fake gucci backpack
there's nobody out there looks good as me
but the gear costs money it sure ain't free

and i gots no job no money at all
but it's easy to steal fresh gear from the mall
parents say i shouldn't but i know i should
gots ta do what i can to make sure i look good

and the reason i have to look real fly
well to tell ya the truth man i don't know why
i guess it makes me feel special inside
when i'm wearin fresh gear i don't have to hide

but i really must get some new gear soon
or my ego will pop like a ten cent balloon
but security's tight at all the shops
everyday there are more and more cops

my crew's laughin at me cuz i'm wearin old gear
school's almost over summer is near
and i'm sportin torn jordans and need somethin new
there's only one thing left to do

cut school friday catch the subway downtown
check out my victims hangin around
maybe i'll get lucky and find easy prey
gots to get some new gear there's no other way

i'm ready and willin i'm packin my gun
this is serious bizness it sure ain't no fun
but i can't have my posse laughin at me
i'll cop somethin dope just wait you'll see

come out a the station west 4th near the park
brothers shootin hoops and someone remarks
HEY HOMES . . . WHERE'D YOU GET THOSE DEF NIKES
as i said to myself. . . i likes em . . . i likes

Tony Medina



Willie Perdomo



Regie Cabico

Public Enemy



1989 the number another summer (get down)
Sound of the funky drummer
Music hittin' your heart cause I know you got sould
(Brothers and sisters hey)
Listen if you're missin' y'all
Swingin' while I'm singin'
Givin' whatcha gettin'
Knowin' what I know
While the Black bands sweatin'
And the rhythm rhymes rollin'
Got to give us what we want
Gotta give us what we need
Our freedom of speech is freedom or death
We got to fight the powers that be
Lemme hear you say
Fight the power

Chorus

As the rhythm designed to bounce
What counts is that the rhymes
Designed to fill your mind
Now that you've realized the prides arrived
We got to pump the stuff to make us tough
from the heart
It's a start, a work of art
To revolutionize make a change nothin's strange
People, people we are the same
No we're not the same
Cause we don't know the game
What we need is awareness, we can't get careless
You say what is this?
My beloved lets get down to business
Mental self defensive fitness
(Yo) bum rush the show
You gotta go for what you know
Make everybody see, in order to fight the powers that be
Lemme hear you say...
Fight the Power

Roxanne Wars

Roxanne Shante

Roxanne Wars




So, the UTFO crew, you know what you can do
Everyone knows that he is fresh
Every time you sayin' somethin' just-a like-a this-a
Lemme tell you one for me, and then I'll tell you one for you
And if you're thinkin' that I'm bitin' your beat
Well, then you just better know, and a-listen to me
It ain't nothin' that I don't wanna miss-a
Because my name is Roxanne-a, and I came to say
I'm rockin' to the beat-a, and I do it every day
I'm conceited, never beated, never heard of defeated
I'm rockin' to the beat-a, and you know it is-a me-a:
The R-O-X-A-N-N-E-A
And if you wanna play a little game for me
Lemme show you what you can do, baby
I have all the niggas droppin' down like this
'Cause with a twist of my cheek, and a twist of my wrist
Yeah, I am fly but don't take this
And everybody knows I don't go for it
So, if you're tryin' to be cute and you're tryin' to be fine
You need to cut it out 'cause it's all in your mind
You think you are God, but you do eat lard
Tryin' to be like me, yeah, is very hard
Tryin' to be cute, and you're tryin' to be fly
Don't you know you wish you could be my guy?
So I can take you home, make you relax
And everybody knows that you're out there, tryin' to tax
Like corn-on-the-cob, you're always tryin' to rob
You need to be out there, get yourself a job
Yeah, you're tryin' to be in search of a Roxanne
But lemme let ya know--you're not a real man
'Cause a Roxanne needs a man, and yes:
Someone, yeah, who will never fess
Someone fresh who always address
And then I'll say, yeah, the rest
'Cause everybody knows how the story goes
There's no ifs, no ands, no buts, or suppose
No coke up your nose, no dope in your vein
And then it won't cause no kind of pain
I ask you a question, I wanna know why:
But yet, and still, you're tryin' to be fly
The R-O-X-A-N-N-E?
Why'd ya have to make a record 'bout me?





LL Cool J

LL Cool J



(Calling all cars, calling all cars...)
(Be on the lookout for a tall light-skinned brother with dimples)
(Wearing a black kangol, sweatsuit, gold chain, and sneakers)
(Last seen on Farmers Boulevard headed east)
(Alias L.L. Cool J)
(He's bad...)
Aaaahhhhhhhhhh...

No rapper can rap quite like I can
I'll take a musclebound man and put his face in the sand
Not the last Mafioso I'm a MC cop
Make you say, "Go L.L. and do the wop"

If you think you can outrhyme me, yeah boy I bet
Cause I ain't met a motherfucker who can do that yet
Trendsetter I'm better my rhymes are good
I got a gold name plate that says I wish you would

And when rap begin then I gotta join in and
Before my rhyme is over you know I'm a win
Cool J has arrived so you better make way
Ask anybody in the crowd they say the kid don't play!

Sparring competition that's my hobby and job
I don't wear a disguise because I don't own the mob
Got a pinpoint rap that makes you feel trapped
So many girls on my jock I think my phone here is tapped

Thursday, September 16, 2010

Grandmaster Flash

Grandmaster Flash





It's like a jungle sometimes it makes me wonder
How I keep from going under
It's like a jungle sometimes it makes me wonder
How I keep from going under

Broken glass everywhere
People pissing on the stairs, you know they just don't care
I can't take the smell, I can't take the noise no more
Got no money to move out, I guess I got no choice
Rats in the front room, roaches in the back
Junkies in the alley with the baseball bat
I tried to get away, but I couldn't get far
Cause a man with a tow-truck repossessed my car

Chorus:
Don't push me cause I'm close to the edge
I'm trying not to lose my head, ah huh-huh-huh
[2nd and 5th: ah huh-huh-huh]
[4th: say what?]
It's like a jungle sometimes it makes me wonder
How I keep from going under
It's like a jungle sometimes it makes me wonder
How I keep from going under




Fun, baby
Freeze! Rock-Rock-Rock-Rock-Rock-Rock-Rock-Rock!
(High... High... High... High...) Rrrrrrrrruh!
Bass!
(Oooh White...White) 3X

Verse One:
(Ooooh...White Lines) Vision dreams of passion
(Blowin through my mind) And all the while I think of you
(Pipe cries) A very strange reaction
(For us to unwind) The more I see the more I do
(Something like a phenomenon) Baby
(Tellin your body to come along, but white lines...blow away)

(Blow! Rock it! Blow!)

Ticket to ride white line highway
Tell all your friends, they can go my way
Pay your toll, sell your soul
Pound for pound costs more than gold
The longer you stay the more you pay
My white lines go a long way
Either up your nose or through your vein
With nothin to gain except killin your brain

(Freeze! Rock!) 4X
(Blow!)
(High...) Higher, baby
(High...) Get higher, baby!
(High...) Get higher, baby!
And don't ever come down! (Freebase!)




Afrika Bambaataa- 1980's

Afrika Bambaataa




Party people
Party people
Can y'all get funky?
Soul Sonic Force - can y'll get funky?
The Zulu Nation - can y'll get funky?
Yaaah!
Just hit me
Just taste the funk and hit me
Just get on down and hit me
Bambaataa's jus' gettin' so funky, now, hit me
Yaaah!
Just hit me

Just start to chase your dreams
Up out your seats, make your body sway
Socialize, get down, let your soul lead the way
Shake it now, go ladies, it's a livin' dream
Love Life Live
Come play the game, our world is free
Do what you want but scream

We know a place where the nights are hot
It is a house of funk
Females and males
Both headed all for the disco

The D.J. plays your favorite blasts
Takes you back to the past, music's magic (poof)
Bump bump bump get bump with some flash, people

Rock rock to the Planet Rock, don't stop
Rock rock to the Planet Rock, don't stop

KRS One-Bridege Wars

KRS One



I say, the bridge is over, the bridge is over, biddy-bye-bye!
The bridge is over, the bridge is over, hey, hey!
The bridge is over, the bridge is over, biddy-bye-bye!
The bridge is over, the bridge is over

Verse One:

You see me come in any dance wid de spliff of sensei
Down with the sound called BDP
If you want to join the crew well you must see me
Ya can't sound like Shan or the one Marley
Because Shan and Marley Marl dem-a-rhymin like they gay
Pickin up the mic, mon, dem don't know what to say
Sayin that hip-hop started out in Queensbridge
Sayin lies like that, mon, you know dem can't live
So I, tell them again, me come to tell them again, gwan!
Tell them again, me come to tell them agaaain
Tell them again, me come to tell them again, gwan!
Tell them again, me come to te-ell them
Manhattan keeps on makin it, Brooklyn keeps on takin it
Bronx keeps creatin it, and Queens keeps on fakin it





Eric B. and Rakim- 1980's

Eric B. and Rakim



I ain't no joke, I use to let the mic smoke
Now I slam it when I'm done and make sure it's broke
When i'm gone no one gets on cuz I won't let
Nobody press up and mess up the seen I set
I like to stand in a crowd and watch the people wonder damn
But think about it then you'll understand
I'm just an addict addicted to music
Maybe it's a habit, I gotta use it
Even if it's jazz or the quiet storm
I hook a beat up convert it into hip-hop form
Write a rhyme in graffitti in every show you see me in
Deep concentration, cuz I'm no comedian
Jokers are wild if you wanna be tamed
I treat you like a child then you're gonna be named
Another enemy, not even a friend of me
Cuz you'll get fried in the end when you pretend to be
Competin' cuz I just put your mind on pause
and I complete when - you compare my rhyme wit yours
I wake you up and as I stare in your face you seem stunned
Remember me, the one you got your idea from
But soon you start to suffer, the tune'll get rougher
When you start to stutter that's when you had enuff of
Biting, it'll make you choke, you can't provoke
You can't cope, you should've broke because I ain't no joke

Kool Moe Dee- 1980's

Kool Moe Dee



I go to work
Like a doctor
When I rock the mic
You got to like
The way I operate
I make miracles happen
Just from rappin'
I'm so lyrically potent
And I'm flowin'
And explodin'
On the scene mean
I got the potential
To make you go
Then chill
I got the credentials
That is of which I chose
To make a rhyme
And chill
Then you know
I will fulfill
To make a couple of mill
As I build a guild
For all the rappers and skills
And kill the weak rappers and no thrills
Hang 'em an ephigy
If he's a sucker
Hang 'em to the left of me
Cause my right hand man
Is my mic stand and
The microphone that I own
And my game plan
Is keeping at a steady pace
Ain't no need for a rush
It ain't no race
I'ma hit the top
Just when I wanna
And it's a matter of time
And I'm gonna
Cause I know when to
Go 'head enter
The classic moe dee rap
That sent ya
Runnin' around
Holdin' ya head
Askin' ya homeboy
Yo man
You hear what he said
Another funky rhythm
Look at ya man
And give him a high five
Cause I'm live
Runnin' around with him
Telling everybody
Hanging out on the block
It's time to wake up
And check the clock
Punch it
I go to work




RUN DMC- 1980's

RUN DMC



A whole lot of superstars, on this stage her tonight
But i want yall to know one thing-this is.... My House
and when i say who's house, yall know what time it is.
Who's house?
Runs house!


ah, once again my friend
not a trend for then
they said, rap was crap
but never had this band
till the ruler came
with a cooler name
make ya dance and prance and draw the fans to stands
name is Run my son
number one for fun
not a gun that's done and get done by none
the others act in fact ya just wack i kill
why?
because its fun my son and Run heads the bill!






Tuesday, September 14, 2010

Muhammad Ali

Muhammad Ali







Sugar Hill Gang

Sugar Hill Gang




i said a hip hop the hippie the hippie
to the hip hip hop, a you dont stop
the rock it to the bang bang boogie say up jumped the boogie
to the rhythm of the boogie, the beat
now what you hear is not a test--i'm rappin to the beat
and me, the groove, and my friends are gonna try to move your feet
see i am wonder mike and i like to say hello
to the black, to the white, the red, and the brown, the purple and yellow
but first i gotta bang bang the boogie to the boogie
say up jump the boogie to the bang bang boogie
let's rock, you dont stop
rock the riddle that will make your body rock
well so far youve heard my voice but i brought two friends along
and next on the mike is my man hank
come on, hank, sing that song

check it out, i'm the c-a-s-an-the-o-v-a
and the rest is f-l-y
ya see i go by the code of the doctor of the mix
and these reasons i'll tell ya why
ya see i'm six foot one and i'm tons of fun
and i dress to a t
ya see i got more clothes than muhammad ali and i dress so viciously
i got bodyguards, i got two big cars
that definitely aint the wack
i got a lincoln continental and a sunroof cadillac
so after school, i take a dip in the pool
which really is on the wall
i got a color tv so i can see
the knicks play basketball
hear me talkin bout checkbooks, credit cards
more money than a sucker could ever spend
but i wouldnt give a sucker or a bum from the rucker
not a dime til i made it again
ya go hotel motel whatcha gonna do today (say what)
ya say im gonna get a fly girl gonna get some spankin
drive off in a def oj
everybody go, hotel motel holiday inn
say if your girl starts actin up, then you take her friend
master gee, am I mellow
its on you so what you gonna do

well it's on n on n on on n on
the beat dont stop until the break of dawn
i said m-a-s, t-e-r, a g with a double e
i said i go by the unforgettable name
of the man they call the master gee
well, my name is known all over the world
by all the foxy ladies and the pretty girls
i'm goin down in history
as the baddest rapper there could ever be
now i'm feelin the highs and ya feelin the lows
the beat starts gettin into your toes
ya start poppin ya fingers and stompin your feet
and movin your body while youre sittin in your seat
and the damn ya start doin the freak
i said damn, right outta your seat
then ya throw your hands high in the air
ya rockin to the rhythm, shake your derriere
ya rockin to the beat without a care
with the sureshot m.c.s for the affair
now, im not as tall as the rest of the gang
but i rap to the beat just the same
i dot a little face and a pair of brown eyes
all im here to do ladies is hypnotize
singin on n n on n on n on
the beat dont stop until the break of dawn
singin on n n on n on on n on
like a hot buttered a pop da pop da pop dibbie dibbie
pop da pop pop ya dont dare stop
come alive yall gimme what ya got
i guess by now you can take a hunch
and find that i am the baby of the bunch
'but that's okay i still keep in stride
cause all i'm here to do is just wiggle your behind
singin on n n on n on n on
the beat dont stop until the break of dawn
singin on n n on n on on n on
rock rock yall throw it on the floor
im gonna freak ya here im gonna feak ya there
im gonna move you outta this atmosphere
cause im one of a kind and ill shock your mind
ill put t-t-tickets in your behind
i said 1-2-3-4, come on girls get on the floor
a-come alive, yall a-gimme what ya got
cause im guaranteed to make you rock
i said 1-2-3-4 tell me wonder mike what are you waitin for?

i said a hip hop the hippie to the hippie
the hip hip hop, a you dont stop
the rock it to the bang bang boogie say up jumped the boogie
to the rhythm of the boogie, the beat
skiddlee beebop a we rock a scoobie doo
and guess what america we love you
cause ya rock and ya roll with so much soul
you could rock till you're a hundred and one years old
i dont mean to brag i dont mean to boast
but we like hot butter on our breakfast toast
rock it up baby bubbah
baby bubbah to the boogie da bang bang da boogie
to the beat beat, its so unique
come on everybody and dance to the beat

[funk]

i said a hip hop the hippie the hippie
to the hip hip hop, a you dont stop
rock it out baby bubbah to the boogie da bang bang
the boogie to the boogie da beat

i said i cant wait til the end of the week
when im rappin to the rhythm of a groovy beat
and attempt to raise your body heat
just blow your mind so that you cant speak
and do a thing but a rock and shuffle your feet
and let it change up to a dance called the freak
and when ya finally do come in to your rhythmic beat
rest a little while so ya dont get weak
i know a man named hank
he has more rhymes than a serious bank
so come on hank sing that song
to the rhythm of the boogie da bang bang da bong

well, im imp the dimp the ladies pimp
the women fight for my delight
but im the grandmaster with the three mcs
that shock the house for the young ladies
and when you come inside, into the front
you do the freak, spank, and do the bump
and when the sucker mcs try to prove a point

we're treacherous trio, we're the serious joint
a from sun to sun and from day to day
i sit down and write a brand new rhyme
because they say that miracles never cease
i've created a devastating masterpiece
i'm gonna rock the mike til you cant resist
everybody, i say it goes like this
well i was comin home late one dark afternoon
a reporter stopped me for a interview
she said she's heard stories and she's heard fables
that i'm vicious on the mike and the turntables
this young reporter i did adore
so i rocked a vicious rhyme like i never did before
she said damn fly guy im in love with you
the casanova legend must have been true
i said by the way baby what's your name
said i go by the name of lois lane
and you could be my boyfiend you surely can
just let me quit my boyfriend called superman
i said he's a fairy i do suppoose
flyin through the air in pantyhose
he may be very sexy or even cute
but he looks like a sucker in a blue and red suit
i said you need a man who's got finesse
and his whole name across his chest
he may be able to fly all through the night
but can he rock a party til the early light
he cant satisfy you with his little worm
but i can bust you out with my super sperm
i go do it, i go do it, i go do it, do it , do it
an i'm here an i'm there i'm big bang hank, im everywhere
just throw your hands up in the air
and party hardy like you just dont care
let's do it dont stop yall a tick a tock yall you dont stop
go hotel motel what you gonna do today(say what)
im gonna get a fly girl gonna get some spank drive off in a def oj
everybody go hotel motel holiday inn
you say if your girl starts actin up then you take her friend
i say skip, dive, what can i say
i cant fit em all inside my oj
so i just take half and bust them out
i give the rest to master gee so he could shock the house

it was twelve o'clock one friday night
i was rockin to the beat and feelin all right
everybody was dancin on the floor
doin all the things they never did before
and then this fly fly girl with a sexy lean
she came into the bar, she came into the scene
as she traveled deeper inside the room
all the fellas checked out her white sasoons
she came up to the table, looked into my eyes
then she turned around and shook her behind
so i said to myself, its time for me to release
my vicious rhyme i call my masterpiece
and now people in the house this is just for you
a little rap to make you boogaloo
now the group ya hear is called phase two
and let me tell ya somethin we're a helluva crew
once a week we're on the street
just a-cuttin' the jams and making it free
for you to party ya got to have the movies
so we'll get right down and give you the groove
for you to dance you gotta get hype
so we'll get right down for you tonight
now the system's on and the girls are there
ya definitely have a rockin affair
but let me tell ya somethin there's still one fact
that to have a party ya got to have a rap
so when the party's over you're makin it home
and tryin to sleep before the break of dawn
and while ya sleepin ya start to dream
and thinkin how ya danced on the disco scene
my name appears in your mind
yeah, a name you know that was right on time
it was phase two just a doin a do
rockin ya down cause ya know we could
to the rhythm of the beat that makes ya freak
come alive girls get on your feet
to the rhythm of the beat to the beat the beat
to the double beat beat that it makes ya freak
to the rhythm of the beat that says ya go on
on n on into the break of dawn
now i got a man comin on right now
he's guaranteed to throw down
he goes by the name of wonder mike
come on wonder mike do what ya like

like a can of beer that's sweeter than honey
like a millionaire that has no money
like a rainy day that is not wet
like a gamblin fiend that does not bet
like dracula with out his fangs
like the boogie to the boogie without the boogie bang
like collard greens that dont taste good
like a tree that's not made out of wood
like goin up and not comin down
is just like the beat without the sound no sound
to the beat beat, ya do the freak
everybody just rock and dance to the beat
have you ever went over a friends house to eat
and the food just aint no good
i mean the macaroni's soggy the peas are mushed
and the chicken tastes like wood
so you try to play it off like you think you can
by sayin that youre full
and then your friend says momma he's just being polite
he aint finished uh uh that's bull
so your heart starts pumpin and you think of a lie
and you say that you already ate
and your friend says man there's plenty of food
so you pile some more on your plate
while the stinky foods steamin your mind starts to dreamin
of the moment that it's time to leave
and then you look at your plate and your chickens slowly rottin
into something that looks like cheese
oh so you say that's it i got to leave this place
i dont care what these people think
im just sittin here makin myself nauseous
with this ugly food that stinks
so you bust out the door while its still closed
still sick from the food you ate
and then you run to the store for quick relief
from a bottle of kaopectate
and then you call your friend two weeks later
to see how he has been
and he says i understand about the food
baby bubbah but we're still friends
with a hip hop the hippie to the hippie
the hip hip a hop a you dont stop the rockin
to the bang bang boogie
say up jump the boogie to the rhythm of the boogie the beat
i say hank can ya rock
can ya rock to the rhythm that just dont stop
can ya hip me to the shoobie doo
i said come on make the make the people move

i go to the halls and then ring the bell
because i am the man with the clientele
and if ya ask me why i rock so well
a big bang, i got clientele
and from the time i was only six years old
i never forgot what i was told
it was the best advice that i ever had
it came from my wise dear old dad
he said sit down punk i wanna talk to you
and dont say a word until i'm through
now there's a time to laugh a time to cry
a time to live and a time to die
a time to break and a time to chill
to act civilized or act real ill
but whatever ya do in your lifetime
ya never let a mc steal your rhyme
so from sixty six til this very day
ill always remember what he had to say
so when the sucker mcs try to chump my style
i let them know that i'm versatile
i got style finesse and a little black book
that's filled with rhymes and i know you wanna look
but there's a thing that separates you from me
and that's called originality
because my rhymes are on from what you heard
i didnt even bite and not a god d--m word
and i say a little more later on tonight
so the sucker mc's can bite all night
a tick a tock yall a beat beat yall
a lets rock yall ya dont stop
ya go hotel motel whatcha gonna do today (say what)
ya say im gonna get a fly girl gonna get some spankin
drive off in a def oj
everybody go hotel motel holiday inn
ya say if your girl starts actin up then you take her friends
a like that yall to the beat yall
beat beat yall ya dont stop
a master gee am I mellow?
its on you so whatcha gonna do

well like johnny carson on the late show
a like frankie croker in stereo
well like the barkay's singin holy ghost
the sounds to throw down they're played the most

its like my man captain sky
whose name he earned with his super sperm
we rock and we dont stop
get off yall im here to give you whatcha got
to the beat that it makes you freak
and come alive girl get on your feet
a like a perry mason without a case
like farrah fawcett without her face

like the barkays on the mike
like gettin right down for you tonight
like movin your body so ya dont know how
right to the rhythm and throw down

like comin alive to the master gee
the brother who rocks so viciously
i said the age of one my life begun
at the age of two i was doin the do
at the age of three it was you and me
rockin to the sounds of the master gee
at the age of four i was on the floor
givin all the freaks what they bargained for
at the age of five i didnt take no jive
with the master gee its all the way live
at the age of six i was a pickin up sticks
rappin to the beat my stick was fixed
at the age of seven i was rockin in heaven dontcha know i went off
i got right on down to the beat you see
gettin right on down makin all the girls
just take of their clothes to the beat the beat
to the double beat beat that makes you freak
at the age of eight i was really great
cause every night you see i had a date
at the age of nine i was right on time
cause every night i had a party rhyme
goin on n n on n on on n on
the beat dont stop until the break of dawn
a sayin on n n on n on on n on...
like a hot buttered de pop de pop de pop
a saying on n n on n on on n on
cause i'm a helluva man when i'm on the mike
i am the definate feast delight
cause i'm a helluva man when i'm on the mike
i am the definate feast delight
come to the master gee you see
the brother who rocks so viciously